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	<updated>2026-06-13T19:38:52Z</updated>
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	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8410</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8410"/>
		<updated>2017-08-30T15:33:40Z</updated>

		<summary type="html">&lt;p&gt;A1655714: /* Multilateration */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
Some applications that have been suggested would be for:&lt;br /&gt;
&lt;br /&gt;
* automatic control of camera angle for conferences with many speakers in seated positions. &lt;br /&gt;
* For pinpointing gun fire or loud transient sounds in wider areas. &lt;br /&gt;
* To focus lighting in large rooms or on stages.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Multilateration ===&lt;br /&gt;
[[File:Intersecting_hyps_01.png|border|right|600px]]&lt;br /&gt;
&lt;br /&gt;
Multilateration is a navigation technique that uses the Time Difference of Arrival method or &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; to find a transmitter (ie. sound) from an array of receivers (ie. microphones). Its a geometric algorithm which finds the estimated position from intersecting hyperbola equations that are centred at discrete pairs of receivers. This gives a range of solutions that then need to be reduced by another method. &lt;br /&gt;
&lt;br /&gt;
The image to the right shows how the hyberbolic curves interact in relation to the emitter and receivers. Each different colour curve is related to one discrete pair of receivers.&lt;br /&gt;
&lt;br /&gt;
Each curve is characterised by this equation, where &amp;#039;&amp;#039;&amp;#039;t&amp;#039;&amp;#039;&amp;#039; is the time for the sound to reach each microphone and &amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039; is the converted distance. The constant &amp;#039;r&amp;#039; is the same if you take the distance from any point to each sensor pair and then find the difference that will be &amp;#039;&amp;#039;&amp;#039;r&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
[[File:y9rs4edg.png|140px]]&lt;br /&gt;
&lt;br /&gt;
===Time Difference Of Arrival===&lt;br /&gt;
This information is arguably the most important part of the whole equation as the method to find the coordinates relies heavily on this to be accurate. There are a variety of ways to estimate the &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; and some are more reliable than others. For example:&lt;br /&gt;
&lt;br /&gt;
* Cross Correlation&lt;br /&gt;
* Generalised Cross Correlation (GCC)&lt;br /&gt;
* The Least Squares Estimator Method&lt;br /&gt;
* Adaptive Eigenvalue Decomposition&lt;br /&gt;
&lt;br /&gt;
===Positioning===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8409</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8409"/>
		<updated>2017-08-30T13:41:57Z</updated>

		<summary type="html">&lt;p&gt;A1655714: /* Multilateration */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
Some applications that have been suggested would be for:&lt;br /&gt;
&lt;br /&gt;
* automatic control of camera angle for conferences with many speakers in seated positions. &lt;br /&gt;
* For pinpointing gun fire or loud transient sounds in wider areas. &lt;br /&gt;
* To focus lighting in large rooms or on stages.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Multilateration ===&lt;br /&gt;
[[File:Intersecting_hyps_01.png|border|right|600px]]&lt;br /&gt;
&lt;br /&gt;
Multilateration is a navigation technique that uses the Time Difference of Arrival method or &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; to find a transmitter (ie. sound) from an array of receivers (ie. microphones). Its a geometric algorithm which finds the estimated position from intersecting hyperbola equations that are centred at discrete pairs of receivers. This gives a range of solutions that then need to be reduced by another method. &lt;br /&gt;
&lt;br /&gt;
The image to the right shows how the hyberbolic curves interact in relation to the emitter and receivers. Each different colour curve is related to one discrete pair of receivers.&lt;br /&gt;
&lt;br /&gt;
Each curve is characterised by this equation, where t is the time for the sound to reach each microphone and r is the converted distance.&lt;br /&gt;
&lt;br /&gt;
[[File:y9rs4edg.png|132px]]&lt;br /&gt;
&lt;br /&gt;
===Time Difference Of Arrival===&lt;br /&gt;
This information is arguably the most important part of the whole equation as the method to find the coordinates relies heavily on this to be accurate. There are a variety of ways to estimate the &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; and some are more reliable than others. For example:&lt;br /&gt;
&lt;br /&gt;
* Cross Correlation&lt;br /&gt;
* Generalised Cross Correlation (GCC)&lt;br /&gt;
* The Least Squares Estimator Method&lt;br /&gt;
* Adaptive Eigenvalue Decomposition&lt;br /&gt;
&lt;br /&gt;
===Positioning===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8408</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8408"/>
		<updated>2017-08-30T13:37:00Z</updated>

		<summary type="html">&lt;p&gt;A1655714: /* Multilateration */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
Some applications that have been suggested would be for:&lt;br /&gt;
&lt;br /&gt;
* automatic control of camera angle for conferences with many speakers in seated positions. &lt;br /&gt;
* For pinpointing gun fire or loud transient sounds in wider areas. &lt;br /&gt;
* To focus lighting in large rooms or on stages.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Multilateration ===&lt;br /&gt;
[[File:Intersecting_hyps_01.png|border|right|600px]]&lt;br /&gt;
&lt;br /&gt;
Multilateration is a navigation technique that uses the Time Difference of Arrival method or &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; to find a transmitter (ie. sound) from an array of receivers (ie. microphones). Its a geometric algorithm which finds the estimated position from intersecting hyperbola equations that are centred at discrete pairs of receivers. This gives a range of solutions that then need to be reduced by another method. &lt;br /&gt;
&lt;br /&gt;
The image to the right shows how the hyberbolic curves interact in relation to the emitter and receivers. Each different colour curve is related to one discrete pair of receivers.&lt;br /&gt;
&lt;br /&gt;
Each curve is characterised by this equation, where t is the time for the sound to reach each microphone and r is the converted distance.&lt;br /&gt;
&lt;br /&gt;
[[File:y9rs4edg.png]]&lt;br /&gt;
&lt;br /&gt;
===Time Difference Of Arrival===&lt;br /&gt;
This information is arguably the most important part of the whole equation as the method to find the coordinates relies heavily on this to be accurate. There are a variety of ways to estimate the &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; and some are more reliable than others. For example:&lt;br /&gt;
&lt;br /&gt;
* Cross Correlation&lt;br /&gt;
* Generalised Cross Correlation (GCC)&lt;br /&gt;
* The Least Squares Estimator Method&lt;br /&gt;
* Adaptive Eigenvalue Decomposition&lt;br /&gt;
&lt;br /&gt;
===Positioning===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8407</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8407"/>
		<updated>2017-08-30T13:34:07Z</updated>

		<summary type="html">&lt;p&gt;A1655714: /* Multilateration */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
Some applications that have been suggested would be for:&lt;br /&gt;
&lt;br /&gt;
* automatic control of camera angle for conferences with many speakers in seated positions. &lt;br /&gt;
* For pinpointing gun fire or loud transient sounds in wider areas. &lt;br /&gt;
* To focus lighting in large rooms or on stages.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Multilateration ===&lt;br /&gt;
[[File:Intersecting_hyps_01.png|border|right|600px]]&lt;br /&gt;
&lt;br /&gt;
Multilateration is a navigation technique that uses the Time Difference of Arrival method or &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; to find a transmitter (ie. sound) from an array of receivers (ie. microphones). Its a geometric algorithm which finds the estimated position from intersecting hyperbola equations that are centred at discrete pairs of receivers. This gives a range of solutions that then need to be reduced by another method. &lt;br /&gt;
&lt;br /&gt;
The image to the right shows how the hyberbolic curves interact in relation to the emitter and receivers. Each different colour curve is related to one discrete pair of receivers.&lt;br /&gt;
&lt;br /&gt;
Each curve is characterised by this equation, where t is the time for the sound to reach each microphone and r is the converted distance.&lt;br /&gt;
[[File:y9rs4edg.png]]&lt;br /&gt;
&lt;br /&gt;
===Time Difference Of Arrival===&lt;br /&gt;
This information is arguably the most important part of the whole equation as the method to find the coordinates relies heavily on this to be accurate. There are a variety of ways to estimate the &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; and some are more reliable than others. For example:&lt;br /&gt;
&lt;br /&gt;
* Cross Correlation&lt;br /&gt;
* Generalised Cross Correlation (GCC)&lt;br /&gt;
* The Least Squares Estimator Method&lt;br /&gt;
* Adaptive Eigenvalue Decomposition&lt;br /&gt;
&lt;br /&gt;
===Positioning===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8406</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8406"/>
		<updated>2017-08-30T13:33:04Z</updated>

		<summary type="html">&lt;p&gt;A1655714: /* Multilateration */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
Some applications that have been suggested would be for:&lt;br /&gt;
&lt;br /&gt;
* automatic control of camera angle for conferences with many speakers in seated positions. &lt;br /&gt;
* For pinpointing gun fire or loud transient sounds in wider areas. &lt;br /&gt;
* To focus lighting in large rooms or on stages.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Multilateration ===&lt;br /&gt;
[[File:Intersecting_hyps_01.png|border|right|600px]]&lt;br /&gt;
&lt;br /&gt;
Multilateration is a navigation technique that uses the Time Difference of Arrival method or &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; to find a transmitter (ie. sound) from an array of receivers (ie. microphones). Its a geometric algorithm which finds the estimated position from intersecting hyperbola equations that are centred at discrete pairs of receivers. This gives a range of solutions that then need to be reduced by another method. &lt;br /&gt;
&lt;br /&gt;
The image to the right shows how the hyberbolic curves interact in relation to the emitter and receivers. Each different colour curve is related to one discrete pair of receivers.&lt;br /&gt;
&lt;br /&gt;
Each curve is characterised by this equation, where t is the time for the sound to reach each microphone and r is the converted distance.&lt;br /&gt;
&lt;br /&gt;
[File:y9rs4edg.png]&lt;br /&gt;
&lt;br /&gt;
===Time Difference Of Arrival===&lt;br /&gt;
This information is arguably the most important part of the whole equation as the method to find the coordinates relies heavily on this to be accurate. There are a variety of ways to estimate the &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; and some are more reliable than others. For example:&lt;br /&gt;
&lt;br /&gt;
* Cross Correlation&lt;br /&gt;
* Generalised Cross Correlation (GCC)&lt;br /&gt;
* The Least Squares Estimator Method&lt;br /&gt;
* Adaptive Eigenvalue Decomposition&lt;br /&gt;
&lt;br /&gt;
===Positioning===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=File:Y9rs4edg.png&amp;diff=8405</id>
		<title>File:Y9rs4edg.png</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=File:Y9rs4edg.png&amp;diff=8405"/>
		<updated>2017-08-30T13:31:47Z</updated>

		<summary type="html">&lt;p&gt;A1655714: hyperbola_t&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;hyperbola_t&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8404</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8404"/>
		<updated>2017-08-30T13:19:54Z</updated>

		<summary type="html">&lt;p&gt;A1655714: /* Multilateration */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
Some applications that have been suggested would be for:&lt;br /&gt;
&lt;br /&gt;
* automatic control of camera angle for conferences with many speakers in seated positions. &lt;br /&gt;
* For pinpointing gun fire or loud transient sounds in wider areas. &lt;br /&gt;
* To focus lighting in large rooms or on stages.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Multilateration ===&lt;br /&gt;
[[File:Intersecting_hyps_01.png|border|right|600px]]&lt;br /&gt;
&lt;br /&gt;
Multilateration is a navigation technique that uses the Time Difference of Arrival method or &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; to find a transmitter (ie. sound) from an array of receivers (ie. microphones). Its a geometric algorithm which finds the estimated position from intersecting hyperbola equations that are centred at discrete pairs of receivers. This gives a range of solutions that then need to be reduced by another method. &lt;br /&gt;
&lt;br /&gt;
The image to the right shows how the hyberbolic curves interact in relation to the emitter and receivers. Each different colour curve is related to one discrete pair of receivers.&lt;br /&gt;
&lt;br /&gt;
Each curve is characterised by this equation, where t is the time for the sound to reach each microphone and r is the converted distance.&lt;br /&gt;
&lt;br /&gt;
[http://mathurl.com/y9rs4edg.png]&lt;br /&gt;
&lt;br /&gt;
===Time Difference Of Arrival===&lt;br /&gt;
This information is arguably the most important part of the whole equation as the method to find the coordinates relies heavily on this to be accurate. There are a variety of ways to estimate the &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; and some are more reliable than others. For example:&lt;br /&gt;
&lt;br /&gt;
* Cross Correlation&lt;br /&gt;
* Generalised Cross Correlation (GCC)&lt;br /&gt;
* The Least Squares Estimator Method&lt;br /&gt;
* Adaptive Eigenvalue Decomposition&lt;br /&gt;
&lt;br /&gt;
===Positioning===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8403</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8403"/>
		<updated>2017-08-30T13:18:16Z</updated>

		<summary type="html">&lt;p&gt;A1655714: /* Multilateration */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
Some applications that have been suggested would be for:&lt;br /&gt;
&lt;br /&gt;
* automatic control of camera angle for conferences with many speakers in seated positions. &lt;br /&gt;
* For pinpointing gun fire or loud transient sounds in wider areas. &lt;br /&gt;
* To focus lighting in large rooms or on stages.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Multilateration ===&lt;br /&gt;
[[File:Intersecting_hyps_01.png|border|right|600px]]&lt;br /&gt;
&lt;br /&gt;
Multilateration is a navigation technique that uses the Time Difference of Arrival method or &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; to find a transmitter (ie. sound) from an array of receivers (ie. microphones). Its a geometric algorithm which finds the estimated position from intersecting hyperbola equations that are centred at discrete pairs of receivers. This gives a range of solutions that then need to be reduced by another method. &lt;br /&gt;
&lt;br /&gt;
The image to the right shows how the hyberbolic curves interact in relation to the emitter and receivers. Each different colour curve is related to one discrete pair of receivers.&lt;br /&gt;
&lt;br /&gt;
Each curve is characterised by this equation, where t is the time for the sound to reach each microphone and r is the converted distance&lt;br /&gt;
http://mathurl.com/y9rs4edg.png&lt;br /&gt;
&lt;br /&gt;
===Time Difference Of Arrival===&lt;br /&gt;
This information is arguably the most important part of the whole equation as the method to find the coordinates relies heavily on this to be accurate. There are a variety of ways to estimate the &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; and some are more reliable than others. For example:&lt;br /&gt;
&lt;br /&gt;
* Cross Correlation&lt;br /&gt;
* Generalised Cross Correlation (GCC)&lt;br /&gt;
* The Least Squares Estimator Method&lt;br /&gt;
* Adaptive Eigenvalue Decomposition&lt;br /&gt;
&lt;br /&gt;
===Positioning===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8402</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8402"/>
		<updated>2017-08-30T12:14:31Z</updated>

		<summary type="html">&lt;p&gt;A1655714: /* Time Difference Of Arrival */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
Some applications that have been suggested would be for:&lt;br /&gt;
&lt;br /&gt;
* automatic control of camera angle for conferences with many speakers in seated positions. &lt;br /&gt;
* For pinpointing gun fire or loud transient sounds in wider areas. &lt;br /&gt;
* To focus lighting in large rooms or on stages.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Multilateration ===&lt;br /&gt;
[[File:Intersecting_hyps_01.png|border|right|600px]]&lt;br /&gt;
&lt;br /&gt;
Multilateration is a navigation technique that uses the Time Difference of Arrival method or &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; to find a transmitter (ie. sound) from an array of receivers (ie. microphones). Its a geometric algorithm which finds the estimated position from intersecting hyperbola equations that are centred at discrete pairs of receivers. This gives a range of solutions that then need to be reduced by another method. &lt;br /&gt;
&lt;br /&gt;
The image to the right shows how the hyberbolic curves interact in relation to the emitter and receivers. Each different colour curve is related to one discrete pair of receivers.&lt;br /&gt;
&lt;br /&gt;
===Time Difference Of Arrival===&lt;br /&gt;
This information is arguably the most important part of the whole equation as the method to find the coordinates relies heavily on this to be accurate. There are a variety of ways to estimate the &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; and some are more reliable than others. For example:&lt;br /&gt;
&lt;br /&gt;
* Cross Correlation&lt;br /&gt;
* Generalised Cross Correlation (GCC)&lt;br /&gt;
* The Least Squares Estimator Method&lt;br /&gt;
* Adaptive Eigenvalue Decomposition&lt;br /&gt;
&lt;br /&gt;
===Positioning===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8401</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=8401"/>
		<updated>2017-08-30T12:11:27Z</updated>

		<summary type="html">&lt;p&gt;A1655714: /* Time Difference Of Arrival */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
Some applications that have been suggested would be for:&lt;br /&gt;
&lt;br /&gt;
* automatic control of camera angle for conferences with many speakers in seated positions. &lt;br /&gt;
* For pinpointing gun fire or loud transient sounds in wider areas. &lt;br /&gt;
* To focus lighting in large rooms or on stages.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Multilateration ===&lt;br /&gt;
[[File:Intersecting_hyps_01.png|border|right|600px]]&lt;br /&gt;
&lt;br /&gt;
Multilateration is a navigation technique that uses the Time Difference of Arrival method or &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; to find a transmitter (ie. sound) from an array of receivers (ie. microphones). Its a geometric algorithm which finds the estimated position from intersecting hyperbola equations that are centred at discrete pairs of receivers. This gives a range of solutions that then need to be reduced by another method. &lt;br /&gt;
&lt;br /&gt;
The image to the right shows how the hyberbolic curves interact in relation to the emitter and receivers. Each different colour curve is related to one discrete pair of receivers.&lt;br /&gt;
&lt;br /&gt;
===Time Difference Of Arrival===&lt;br /&gt;
This information is arguably the most important part of the whole equation as the method to find the coordinates relies heavily on this to be accurate. There are a variety of ways to estimate the &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; and some are more reliable than others. For example:&lt;br /&gt;
&lt;br /&gt;
* Cross Correlation&lt;br /&gt;
* Generalised Cross Correlation (GCC)&lt;br /&gt;
* The Least Squares Method&lt;br /&gt;
* Adaptive Eigenvalue Decomposition&lt;br /&gt;
&lt;br /&gt;
===Positioning===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7771</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7771"/>
		<updated>2017-05-20T05:17:21Z</updated>

		<summary type="html">&lt;p&gt;A1655714: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
Some applications that have been suggested would be for:&lt;br /&gt;
&lt;br /&gt;
* automatic control of camera angle for conferences with many speakers in seated positions. &lt;br /&gt;
* For pinpointing gun fire or loud transient sounds in wider areas. &lt;br /&gt;
* To focus lighting in large rooms or on stages.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Multilateration ===&lt;br /&gt;
[[File:Intersecting_hyps_01.png|border|right|600px]]&lt;br /&gt;
&lt;br /&gt;
Multilateration is a navigation technique that uses the Time Difference of Arrival method or &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; to find a transmitter (ie. sound) from an array of receivers (ie. microphones). Its a geometric algorithm which finds the estimated position from intersecting hyperbola equations that are centred at discrete pairs of receivers. This gives a range of solutions that then need to be reduced by another method. &lt;br /&gt;
&lt;br /&gt;
The image to the right shows how the hyberbolic curves interact in relation to the emitter and receivers. Each different colour curve is related to one discrete pair of receivers.&lt;br /&gt;
&lt;br /&gt;
===Time Difference Of Arrival===&lt;br /&gt;
This information is arguably the most important part of the whole equation as the method to find the coordinates relies heavily on this to be accurate. There are a variety of ways to estimate the &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; and some are more reliable than others. For example:&lt;br /&gt;
&lt;br /&gt;
* Cross Correlation&lt;br /&gt;
* Generalised Cross Correlation (GCC)&lt;br /&gt;
* The Least Squares Method&lt;br /&gt;
* Parameter Estimation&lt;br /&gt;
&lt;br /&gt;
===Positioning===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7770</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7770"/>
		<updated>2017-05-20T04:13:32Z</updated>

		<summary type="html">&lt;p&gt;A1655714: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
Some applications that have been suggested would be for:&lt;br /&gt;
&lt;br /&gt;
* automatic control of camera angle for conferences with many speakers in seated positions. &lt;br /&gt;
* For pinpointing gun fire or loud transient sounds in wider areas. &lt;br /&gt;
* To focus lighting in large rooms or on stages.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Multilateration ===&lt;br /&gt;
[[File:Intersecting_hyps_01.png|right|600px]]&lt;br /&gt;
&lt;br /&gt;
Multilateration is a navigation technique that uses the Time Difference of Arrival method or &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; to find a transmitter (ie. sound) from an array of receivers (ie. microphones). Its a geometric algorithm which finds the estimated position from intersecting hyperbola equations that are centred at discrete pairs of receivers. This gives a range of solutions that then need to be reduced by another method. &lt;br /&gt;
&lt;br /&gt;
The image to the right shows how the hyberbolic curves interact in relation to the emitter and receivers. Each different colour curve is related to one discrete pair of receivers.&lt;br /&gt;
&lt;br /&gt;
===Time Difference Of Arrival===&lt;br /&gt;
This information is arguably the most important part of the whole equation as the method to find the coordinates relies heavily on this to be accurate. There are a variety of ways to estimate the &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; and some are more reliable than others. For example:&lt;br /&gt;
&lt;br /&gt;
* Cross Correlation&lt;br /&gt;
* Generalised Cross Correlation (GCC)&lt;br /&gt;
* The Least Squares Method&lt;br /&gt;
* Parameter Estimation&lt;br /&gt;
&lt;br /&gt;
===Positioning===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=File:Intersecting_hyps_01.png&amp;diff=7769</id>
		<title>File:Intersecting hyps 01.png</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=File:Intersecting_hyps_01.png&amp;diff=7769"/>
		<updated>2017-05-20T03:44:41Z</updated>

		<summary type="html">&lt;p&gt;A1655714: Intersecting hyperbolas based on the location of the emitter in relation to the 3 receivers&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Intersecting hyperbolas based on the location of the emitter in relation to the 3 receivers&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7710</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7710"/>
		<updated>2017-03-29T09:44:59Z</updated>

		<summary type="html">&lt;p&gt;A1655714: /* General Principle */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
Some applications that have been suggested would be for:&lt;br /&gt;
&lt;br /&gt;
* automatic control of camera angle for conferences with many speakers in seated positions. &lt;br /&gt;
* For pinpointing gun fire or loud transient sounds in wider areas. &lt;br /&gt;
* To focus lighting in large rooms or on stages.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Multilateration ===&lt;br /&gt;
&lt;br /&gt;
Multilateration is a navigation technique that uses the Time Difference of Arrival method or &amp;#039;&amp;#039;&amp;#039;TDOA&amp;#039;&amp;#039;&amp;#039; to find a transmitter (ie. sound) from an array of receivers (ie. microphones). Its a geometric algorithm which finds the estimated position from intersecting hyperbola equations that are centred at discrete pairs of receivers. This gives a range of solutions that then need to be reduced by another method.&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7709</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7709"/>
		<updated>2017-03-29T09:10:00Z</updated>

		<summary type="html">&lt;p&gt;A1655714: /* Motivation */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
Some applications that have been suggested would be for:&lt;br /&gt;
&lt;br /&gt;
* automatic control of camera angle for conferences with many speakers in seated positions. &lt;br /&gt;
* For pinpointing gun fire or loud transient sounds in wider areas. &lt;br /&gt;
* To focus lighting in large rooms or on stages.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== General Principle ===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7708</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7708"/>
		<updated>2017-03-29T09:03:02Z</updated>

		<summary type="html">&lt;p&gt;A1655714: /* Objectives */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*) Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air.&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== General Principle ===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7707</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7707"/>
		<updated>2017-03-29T09:01:18Z</updated>

		<summary type="html">&lt;p&gt;A1655714: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
The original project title still remains for the page but we have been working by the title of: &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Sound Multilateration for Positioning of the Sound Source ====&lt;br /&gt;
&lt;br /&gt;
as Multilateration is the more correct term.&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
The primary objective of the project is to devise a system to successfully locate and generate relative coordinates in a 2D plane of a stationary acoustic sound source in an *ideal space with known microphone sensor positions. &lt;br /&gt;
&lt;br /&gt;
Subsequent goals are to: &amp;lt;br/&amp;gt;&lt;br /&gt;
* Track a moving source.&lt;br /&gt;
* Develop the system further by increasing the system capability, and to successfully apply it to a less controlled environment where we need to account for background noise and spaces with different levels of reverberation.&lt;br /&gt;
&lt;br /&gt;
(*)Note: Ideal is defined as anechoic, with minimal level noise, and limited to a  predefined coverage area. The speed of sound will be approximated for the measured ambient temperature as applied to dry air. &lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== General Principle ===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
	<entry>
		<id>https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7659</id>
		<title>Projects:2017s1-127 Sound Trilateration for Positioning of the Sound Source</title>
		<link rel="alternate" type="text/html" href="https://projectswiki.eleceng.adelaide.edu.au/projects/index.php?title=Projects:2017s1-127_Sound_Trilateration_for_Positioning_of_the_Sound_Source&amp;diff=7659"/>
		<updated>2017-03-21T08:18:07Z</updated>

		<summary type="html">&lt;p&gt;A1655714: Created page with &amp;quot; == Supervisors == *Dr Brian Ng *Dr Withawat Withayachumnankul  == Students == *Scott Morphett *Jessica Pisaniello  == Introduction ==   === Objectives ===  === Motivation ===...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Supervisors ==&lt;br /&gt;
*Dr Brian Ng&lt;br /&gt;
*Dr Withawat Withayachumnankul&lt;br /&gt;
&lt;br /&gt;
== Students ==&lt;br /&gt;
*Scott Morphett&lt;br /&gt;
*Jessica Pisaniello&lt;br /&gt;
&lt;br /&gt;
== Introduction ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Objectives ===&lt;br /&gt;
&lt;br /&gt;
=== Motivation ===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== General Principle ===&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Design ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
[1] &lt;br /&gt;
&lt;br /&gt;
[2] &lt;br /&gt;
&lt;br /&gt;
[3] &lt;br /&gt;
&lt;br /&gt;
[4]&lt;/div&gt;</summary>
		<author><name>A1655714</name></author>
		
	</entry>
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